Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.
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A type designed in a grid, like on display panels
Type is not only printed. There were always and still are a number of forms of type versions which function completely differently. Even very early in the history of script there were attempts to combine a few single elements into the diverse forms of individual characters and also efforts to construct the forms of letters within a geometric grid system. The “instructions” of Albrecht Dürer are probably most well-known.
But although designers of past centuries assumed the ideal to basically be an artist’s handwritten script, the idea which developed in the course of mechanization was to “build” characters in a building block system only by stringing together one basic element — the so-called grid type was discovered, represented most commonly today by »pixel types.« But even before computers, there were display systems which presented types with the help of a mechanical grid display, like the display panels in public transportation (bus, train) or at airports and train stations.
In a streetcar, I met up with a modern variation of this display which reveals the name of each tram stop as it is approached. This system was based on a customary coarse square grid, but the individual squares were also divided again diagonally in four triangles.
In this way it is possible to display slants and to simulate round forms more accurately as with only squares. The displayed characters still aren’t comparable to a decent typeface — on the contrary, the lower case letters are surprisingly ugly — but they form a much more legible type than that of ordinary [quadrate] grid types.
DeDisplay from ingoFonts is this kind of type, constructed from tiny triangles which are in turn grouped in small squares. The stem widths are formed by two squares; the height of upper case characters is 10, the x-height 7 squares.
DeDisplay is available in three versions: DeDisplay 1 is the complex original with spaces between the triangles, DeDisplay 2 forgoes dividing the triangles and thus appears somewhat darker or “bold,” and DeDisplay 3 is to some extent the “black” and doesn’t even include spaces between the individual squares.
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Superfast is a hand-written, flowing, script that will add a fast and sharp movement style to your projects. It charms you right at the beginning. If you are looking for a sensitive font that can respond to the vibe of your design, Superfast is the right choice. On the one hand it is elegant and luxurious, and on the other hand, trendy and modern.
Created for beautiful logos, branding projects, posters, blog posts, social media, campaigns, advertising, web design and more!
Superfast contains upper and lowercase characters, numerals and a large range of punctuation. Its
OpenType features include 41 Ligatures and a large number of alternates, which make everything you write authentic and flowing.
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Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text.
There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing.
Designed by KAZER STUDIO
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| Download Hologram Fonts Family From Kazer Studio |
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Brillia is a sweet modern calligraphy, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.
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| Download Brillia Calligraphy Fonts Family From AEN Creative Studio |
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"Engin" is a sharp and futuristic font. It has rigid structures and broken forms. It's a font that will be used in 2132. Wide shapes and non-standard patterns create a strong image and texture of the text.
Engin supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported.
The font has one Regular weight, all uppercase. Engin font was designed by Viktor Pesotsky.
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| Download Engin Fonts Family From Pesotsky Victor |
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Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won't notice much about style, but something will let you feel extraordinary and trust.
Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.
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| Download Mero Fonts Family From Deltatype |
Inspired by the stroke movements of brush lettering ‘Summer Display’ is an energetic family featuring high-contrast and well-proportioned letter shapes suitable for large displays and headlines.
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Stana is clean and tall display font. There are more than 150 glyphs included.
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Andora Ardelion is a stylish and elegant new calligraphy font, suitable for designs that need both a touch of elegance and modernity. This font has a lot of swashes that can help anchor your projects in ornamental glamour.
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Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country (Behe Nafarroa, Lapurdi and Zuberoa).Harri takes some of its more significant features from those engraved letter forms, but also from the current overemphasized shapes derived from them, while keeping in sight their antecessors: the Romanesque inscriptions and ultimately the Roman Capitals. Gerard Unger once said “the black version of a font is a caricature of the regular”. This may explain how the odd heavy shapes in use in the Basque Country today might have evolved from their engraved roots, which are already an interpretation of Romanesque and Roman letter forms.
This evolution is echoed in Harri through its weights, from the clean formal Roman-inspired light to the extreme expressive Basque-style extra bold.
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Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions.
Thank you and have a nice day!
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Dorris - Swirly font family
Unique, cute and versatile serif family with alternates and ornaments to create a more stunning display. Try capital letters for groovy vintage style look or Capitalize for a happy, cute and beauty.
This Family has 9 weights from thin to black with a soft and curly tail that makes this font look funky and fresh.
Suitable for use in many design forms, for example, magazines, DIY projects, quotes, ice cream, postcards, logos, vintage look badges, old classic music, the 60s, 70s, 80s era, stickers, label, kids, baby, wedding projects and many more. We recommend using Adobe Programs.
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The result of reducing elements of letterforms to only its necessity in lowercase is mostly influenced by the ideal of Aerodynamics. The true intention behind the design of Cobe is to construct a fluid typeface while maintaining a strong structure of uppercase that possessed distict forms, shapes and corners, resulting in an eye-pleasing texture when forming a sentence.
Cobe comes in 9 consecutive weights with italics and standard features.
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| Download Cobe Fonts Family From Stawix |
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For anyone who prefers to stand out from the crowd, than to go with the flow!
Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics.
Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen.
The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols.
For more information visit the microsite: http://floodfonts.com/arpona
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Introducing a conceptual script font: Asia Impact. It's a brush handwritten typeface inspired by asian traditional calligraphy. Each letter has two shapes versions for uppercase and lowercase characters. It works both in horizontal and vertical orientation. Asia Impact is perfect for tattoo design and authentic eastern lettering.
Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style.
Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text.
Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.
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VTF Gladius is the latest typographic endeavor from VarsityType. Like many others, this display typeface began as an experiment of implementing characteristics that otherwise would be absent in a traditional chiseled athletic block face.
VTF Gladius implements a system of angles and junctions in its letterforms that generate a distinct clockwise visual rhythm. In circular characters, this sensation is demonstrated throughout the use of offsetting 45-degree corners and intersections built into the counters. This draws the eye through the letterform, left-to-right, making every word feel more dynamic.
Further reinforcing the dynamic, the southernmost horizontal in each letterform is 10% thicker than the others. This unconventional decision alludes to penmanship, with the lower strokes pooling the majority of the ink, creating a nice “bounce” that gives the letter that much more personality. This phenomenon is even more apparent in oblique styles.
Select letterforms also feature “speed cuts”, which are a customizable OpenType feature for the VTF Gladius family. By default, these angular embellishments are disabled for standard styles and enabled for oblique styles. Additionally, the family is packed with a set of 11 discretionary ligatures that can be used as ordinals, buzzwords, and more (These options can be found under “Stylistic Sets” and “Discretionary Ligatures” in the “OpenType” window respectively).
VTF Gladius supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, and Swedish.
With five weights, a stencil version, and oblique styles for each, this 12-font family is ready and capable for any project.
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Avenia it is a modern calligraphic font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and many more
Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and ligatures.
Includes:
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